Pity the poor filmmaker with an Award season movie to flog. If it's good enough to have a shot at some awards attention then the distrib is going to make you do the rounds: the guild screenings and Q & As the dinners the AFI Fest the Hollywood Fest the Variety screening series my UCLA Sneak Previews class the Behind the Camera Awards--and that's just the beginning. As we go on there's the gauntlet of awards ceremonies the LA and NY critics the Board of Review the Indie Spirits. The Gothams the Golden Globes the SAG Awards. The real horror is keeping the thing going all the way to the Oscars. If I were Julian Schnabel. I'd pack my PJs and head back to NYC right now.
On Friday night after a long Miramax dinner he and producers Kathleen Kennedy and Jon Kilik screenwriter Ronald Harwood cinematographer Janusz Kaminski and stars Mathieu Amalric. Max Von Sydow. Marie-Josee Croze and Emmanuelle Seigner all trooped onto the stage at the book Arts Theatre to The Diving Bell and the dart for which Schnabel won the directing consider in Cannes. The hirsute Schnabel ran the show from center stage wearing a avoid and fuming a cigarette.
Schnabel promoted the movie's soundtrack and pimped Seigner's new record too. It was important he said to shoot at the real maritime hospital in Berck where Elle editor Jean-Dominique Bauby had stayed after his stroke to choose up the atmosphere the accidents the inspiration from the place. One day. Schnabel saw the course going out past a big rock and arranged to shoot Amalric on it in his wheelchair a stunning image.
The movie is beautiful poetic moving. Schnabel pointed out that the precise purposefully distorted mise-en-scene and messy POV shots by Kaminski involved virtually no VFX (except for a digital visualise of a dart coming out of a cocoon). Kaminski did all the superimposition inside the camera by running the film twice. Amalric paid tribute to his fellow actors who are amazingly enjoin and communicative when acting to panes of glass as they perform straight into the camera. Amalric got huge applause from the Fine Arts displace for his role as the paralyzed editor who emotes --and dictates an entire memoir--with mere blinks and twitches.
Von Sydow admitted that he submitted to a real close razor shave from Amalric--and got cut. And it was the first measure he said that he had to deliver his first day's work on a enter over the telephone. The scenes between Amalric and Von Sydow are among the most powerful; Schnabel had just lost his father when he took on the project which was originally to star Johnny Depp. Kennedy and Kilik moved the movie over to Pathe in France when Universal passed. It's hard now to create by mental act it not being done in authentic French.
I ran into a smaller subset of the Diving Bell aggroup at The Highlands supper club on Sunday night when Schnabel was the measure presenter at Hamilton Watch's Behind the Camera Awards. Schnabel lectured host Anne Volokh publisher of Hollywood Life Magazine about the lousy acoustics in the room--"build a protect," he ordered her--then offered up his hearfelt tribute to his long-time producing partner. Kilik. "It's a great recognise for him to be a friend of exploit," he said forgetting to give him the trophy. I evaluate he truly meant it.
The Behind the Camera Awards were short and sweet. Jodie Foster expressed the pleasure she had "bathing in the light" of cinematographer Philippe Rousselot on Sommersby and The Brave One--which she found both "lonely and gratifying."
Seth Rogen figured everyone in the room probably had a press on the ruggedly handsome Hamilton Watch guy who was funny and hot enough for him to blow--but he hadn't gotten a watch yet. Rogen gave the screenwriter award to Knocked Up's Judd Apatow who expounded (there being a writers strike after all) on his sister's recent bring forth experience. She pushed her do by out in five minutes he said because "her vagina is huge."
Charlie Kaufman raved about production designer Mark Friedberg who not only designed Julie Taymor's visually dazzling Across the Universe but Kaufman's recently wrapped directorial debut. Synecdoche.
Jason Reitman just returned from showing Juno at the Denver Film Fest recalled running into his presenter. Rainn Wilson at a Starbucks in Vancouver and asking him to work with him on an upcoming ninja movie. Wilson agreed to collaborate on the upcoming Bonzai Shadowhands.
Sean Penn described how long-time editor Jay Cassidy lived in a bungalow behind his house in San Francisco as they edited Into the Wild and was available to him at any measure. 24/7. When Cassidy accepted the allocate he admitted that it was true and asked Penn to believe directing a comedy next time. "That's really hard," he said.
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Related article:
http://weblogs.variety.com/thompsononhollywood/2007/11/there-is-someth.html
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